Tag Archives: tutorials


Just Run Into It Naked

So, how about some honesty, guys? I, just like many of you, really know about a dime’s worth of actual knowledge pertaining to filmmaking. I’d like to believe I know what I’m talking about, but I’d be lying to you if you asked me how to best capture a shot, the proper way to light it, and what lens would work best.

There’s so much to it—so much that I don’t understand yet. Lighting techniques are a science all their own that can be a bit daunting to confront if you’re a rookie . . . don’t even get me started on the finer points of proper white balance, all I know is, it’s important. Camera operation, even navigating through all the menus, sub-menus, and numerous formatting options (which are all abbreviated just to make things easier for beginners—not! And who likes to read manuals apart from Lego diagrams, huh?) All this is the equivalent of a massive brain freeze, especially for someone like me who is so used to the highly advanced point-and-shoot technique. Tools and hardware, gear and lenses, and editing software—like Adobe CS-whatever . . . essential, but golly gee—a world I can’t even begin to understand. At this point, you’re probably wondering, well, that’s funny that Andy should start a site dedicated to the art of filmmaking, when he is so inept at it. That’s why I’m considered aspiring, but I digress.

I might be a real novice when it comes to computers, but there’s another part of filmmaking that I am not so unfamiliar with, and that’s storytelling. And if filmmaking is not the pinnacle of story evolution, I don’t know what is.

My real “expertise,” if it can even be called that, lies in words, in creating stories that revolve around interesting, relatable, varying, organic characters. That’s a full-time job in and of itself. So I wouldn’t say I’m lacking the prerequisites to take to this field. I’ve taken thousands of pictures during my short life, and I’ve acted in numerous productions since high school and even on into my college years. In fact, for the longest time, I wanted to move to L.A. and get into acting, before I realized that my real love all these years has been the overall movie making process, or what else was my passion for writing good for? Surely not being just a scriptwriter or only an actor, because both interest me, but I didn’t want to be limited to one or the other—I wanted to do it all.

The Great Unknown
It’s true, trying to tackle the technicalities of editing, video compositing, and post-production is terrifying and unknown to me, but I will say this: I am thrilled to learn it.

For a while now, I’ve been focusing on honing in my skills as a writer, but I’ve come to the point where I am comfortable with the stories I’m creating, and now I want to give them life beyond that of the silent words on a page. I want to see the colors that make up my worlds, see my characters’ faces, and hear the themes that drive them—that describe them and their actions. I want something more tangible. And why not? There is no reason. I just want to do it, and I’m willing to accept the risks because . . .

Logic: Hold up, sir! Be realistic, you can’t just pick up a camera and record Oscar winners. You do need the skills to produce good visual work.”

Me: So, what do I do, then? I can’t afford more school. Well, Frodo, looks like this pipe dream has come to an end.

Well, I can assure you that is not the case. There are ways to level up without a degree. In this day and age, with wonderful tools like the Internet, information is free and easily disseminated to the laymen . . . that is, if you know where to look. It’s true what they say: “It’s right at your fingertips,” figuratively and literally.

Most of the stuff O’Ryan knows, he learned by himself, through practice, and reading (lots of reading), and from web tutorials. Now, he’s no expert, but if you talk to him or ask him a question, you might think otherwise. He really does know his stuff, and his knowledge base is steadily growing, as is mine (just a little slower). It’s amazing to think of how much I’ve learned in the past couple years of really diving in. I have every confidence that I can learn what he knows, if I’m diligent and have the patience to try and try again. It won’t be easy, but it will be easier than you’d think. And there will be many mistakes, no doubt, and many trials, but I invite them. In the wise words of Jake Sidwell:

“I’d rather die trying, than live with paralytic creativity.”

The Fire
We learn more about ourselves, our craft becomes more sincere when it’s passed through the refining fire, and so do we. I can’t be scared, and I can’t shy away from putting myself out there and asking for help when I need it. I can never think, “Oh well, it’s good enough,” because, quite frankly, that’s a piss-poor attitude. If this is your passion as much as it is mine, then you should expend all your energy into it, invest all your time (including the extra hour it takes to re-render something out because you discovered a typo in the beginning credits), and you should devote your heart to it and its betterment, fearlessly and fiercely.

I hope this has served as an encouragement to some of you . . . quack, quack, quack, QUACK! Go DUCKS!

In the coming weeks, we’ll be sharing some ways that you can get practice at telling a better story visually and verbally, which is one of the purposes of our Weekend Challenges. Also, be sure to follow the links below to some great tutorial sites. We’ve used them before, and we shall continue to do so (I know I’ll be living on these sites in the coming months).


Film Riot is a how-to trip through filmmaking from the hyper-active mind of Ryan Connolly. From how to make great effects to following Triune Films through production, Film Riot explores the art of filmmaking in a way you’ve never seen.



Greyscalegorilla is an active community and resource for training and tools for creative types. [They] want to make learning more accessible and effective by creating easy-to-follow tutorials and training that show you way more than just what buttons to push.



Video Copilot is a collaborative resource for training, design tools and artists. [Their] goal is to show you what is possible and how effects can be created so that you can apply these techniques on your own creative adventures.